Klaus Nomi: Watch the Final, Brilliant Performance of a Dying Man





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YouTube also has two interviews with Klaus Nomi: c. Klaus was enamored with the giant plastic tux Bowie wore during the performance, and later made it his own. Working by day as a high-end pastry chef, Nomi began to stage his outlandish performances, first launching himself upon an unsuspecting public at the New Wave Vaudeville in 1978.


The real Nomi, it appears, was nothing special, outside of the fact that he could sing it was his misfortune that there wasn't much market for German tenors who could stretch to a falsetto soprano ; the fake Klaus, invented by Klaus as a replacement for the one the world didn't much care for, was a man with a painted face who dressed like a gay Ming the Merciless and sang opera-tinged pop songs in New Wave clubs. That said, I'd think more about it. In 2004, Andrew Horn directed a documentary about the life of Klaus Nomi, titled The Nomi Song. Do not simply insert a blank template on an image page.


Klaus Nomi - The hip and cynical young audience was stunned by this weird combination of falsetto arias, booming classical orchestration, Kraftwerk-style electronica, futuristic costumes and outer space imagery. Unless it really offends somebody, we should leave it.


All interested editors are invited to and. For instructions on how to use this banner, please refer to the. This article has been rated as Start-Class on the project's. If you would klaus nomi to participate in the project, you can choose to edit this article, or visit the for more information. This article has been rated as Start-Class on the project's. This article has been rated as High-importance on the project's. This article has not yet klaus nomi a rating on the project's. If you would like to participate, please visit the project page, where you can join the and see a list of open tasks. This article has been rated as Start-Class on the project's. This article has not yet received a rating on the project's. If you would like to participate, please visit the project page, where you can join the and see a list of open tasks. This article has been rated as Start-Class on the project's. This article has not yet received a rating on the project's. I don't have sources, so I am hesitant to list them myself, but I know they are there. A comprehensive listing of videos, and sources, would be appreciated. Klaus was also in an independent feature film with McDermott and other east village 80s scenesters. Part of it is in the Horn documentary. Can that documentary be listed as a source. Lots of great information in that. Also, there should be some info about on this page, as Kristian wrote some of Klaus' most memorable songs. And Kristian is still alive and well, living in Los Angeles, and making music to this day. I would furthermore be interested in seeing citations, links, and references to critical works which analyze Klaus' influence upon popular culture. It is sad to say that he was only a minor star in his day; but he is being remembered and re-evaluated years after his death as an important and influential figure. He was different daring and had a wonderful operatic voice. He will always be greatly missed. Seriously, there are so many better photos of him. I've placed a drawing of his stage persona in his klaus nomi instead of an actual photo. This listing is at least slighting, if not disrespectful. Unless someone disputes that over the next couple of weeks, I'll have the entry taken off. Being a pastry chef is a badge of honor. Don't you dare remove it. Furthermore, interviews in the documentary indicate that he would pay some of his debts in pies. It may be significant that he was a pastry chef. The way he incorporated being a chef into his career could make it relevant. All I meant is that listing such an absolutely irrelevant to his klaus nomi career thing in his infobox could have been done in malevolent spirit. I mean, think about that Madonna-Lennox example I've already given. It's certainly no shame at all being a waitress, but what's that got to do with their musical career??. Concerning Jdubowsky's comment, I think that this is really an interesting and insightful fact, but it's only biographical and by no means klaus nomi substantiate the pastry chef klaus nomi. Nomi was a stunning countertenor and innovative performance artist, who happened to be working for a while as a pastry chef. It's not as if he wasklaus nomi that he has to be remembered for that brief pastime of his. He's just been another amateur pastry chef and that was only for a while. What's the big deal about it all. It turns out Midge Ure is also a cook, and like Klaus, Ure also appeared on a cooking show. Some kind of competitive cooking program. Also, John Cage was a mycologist as well as composer. I think the pastry chef thing is interesting, fits in with Klaus' personality, and I like pies too. Actually Klaus was not an amateur pastry chef, it was his day job. That's how he supported himself. Annie Lennox has been working as a waitress for quite a long, and according to word of mouth that's how she first came across Dave Stewart. She supported herself as you would put it by being a part-time waitress. I think that what you haven't understood is the purpose of the info box. This thing is supposed to expose the most characteristic aspects of one's career. It's not the place where you're going to mention every single aspect of one's life. We did a hell of a matter together out of discussing the prospect of a link to David Bowie's article and although I sort of proved that doing so is rather important, I never did so. I never did so, for I agreed that it's vital to keep things kind of tight. If you feel like spoiling his article with hasty and superfluous remarks, then be my guest. Are you sure you are mature enough to contribute to wikipedia the right way. This is not the way things should be done here. Until you put across some arguments over that, the klaus nomi is being rubbed back out. This web encyclopedia is klaus nomi serious effort and you shouldn't mess around with it. Klaus nomi you continue to klaus nomi pages and especially this one at your own will, I shall proceed to all requisite actions that will get you treated as a potential vandal. He was proud of it. Why is that a problem for you. All of us are fans - we love the fact that he was a pastry chef. Please leave well enough alone. You got to substantiate your claim through a reliable citation. Until you do that this contribution of yours will keep on being inverted. And for God's sake, it's such an irrelevant to his career thing. Can't you just realize that this is simply a biographical element of somewhat klaus nomi importance. Annie Lennox has been working as a waitress for quite a long, and according to word of mouth that's how she first came across Dave Stewart. She supported herself as you would put it by being a part-time waitress. I think that what you haven't understood is the purpose of the info box. This thing is supposed to expose the most characteristic klaus nomi of one's career. It's not the place where you're going to mention every single aspect of one's life. klaus nomi It's a huge part of his mythology. He paid his recording costs with Linzer pies. This is more significant than a waitressing day job. It was mentioned on national television and in the documentary which was internationally acclaimed and it's culturally significant. If pastry chef wasn't a funky job, you wouldn't even consider it. I remember something like that in the documentary, but I can check it again. None of his albums was distributed under such a label. Don't you think the associated acts line should be put back on, at least with a sole link to David Bowie. Given the scale of both Klaus' and Bowie's work, their involvement with each other was really very small. True, it was a great help to launch Klaus' career, but beyond that, they did not extensively tour or record together. To me, Klaus stands alone. He's associated with no one but himself. He truly is from outer space!!!. I never meant that Klaus ain't standing alone or that his work was influenced by Bowie, albeit the latter's credentials should have been a great boost for Klaus' career. Back in late 1979, Bowie had already quitted all off his previous art-rock personae and was trying to somehow establish himself as a commercial artist. In order to do so he came up with a brand new persona; a rather catchy one. Pierrot-like suits, massive shoulder pads, bow ties and, of course, frosty-white make up. Is that ringing any bells?. You see, artistic interaction is a two-way street and in that sense Bowie's Scary Monster's era is deeply associated to Klaus Nomi's work. Thus, I consider that such a feature in his infobox would be rather appropriate. Nomi has undeniably been an important inspiration for Bowie, since the Pierrot persona most evident in the video, but emerging from his 1979 Saturday Night Live performance went on to become iconic and one klaus nomi his most critically acclaimed turned out that this would also be his last one. Hence, I would like to point out that a special mention to this fact in his article would at least be reasonable, as the Pierrot Persona klaus nomi a true early 80's classic. Often they are the bands that a guitarist was in over the course of their career, for instance. That said, I'd think more about it. Think David Byrne's Big Suit period as well. Anyway, it's been fun klaus nomi and mulling this one over with you. It turns out that you might be right after all. It's probably only sensible to keep the associated acts feature as tight as possible i. Otherwise, some artists will end up with an infobox in the size of an article in itself. To end with, ain't about time that Total Eclipse gets an article of its own. I put that image on his article's info box, for it's the only thing wikimedia's commons would come up with. If you klaus nomi a non-copyrighted image of his or own the rights of one, you are welcome to replace it. Unless it really offends somebody, we should leave it. He doesn't switch the genders in the song, thus rendering it homosexual. However, he does change the words slightly. I notice klaus nomi image page specifies that klaus nomi image is being used under but there is klaus nomi as to why its use in this Wikipedia article constitutes fair use. In addition to theyou must also write out on the image description page a specific explanation or rationale for why using this image in each article is consistent with. Please go to and edit it to include a. Using one of the templates at is an easy way to insure that your image is in compliance with Wikipedia policy, but remember that you must complete the template. Do not simply insert a blank template on an image page. If there is other fair use media, consider checking that you have specified the fair use rationale on the other images used on this page. Note that any fair use images uploaded after 4 May, 2006, and lacking such an explanation will be deleted one week after they have been uploaded, as described on. If you have any questions please ask them at the. Since he appeared in the opera and had an apartment in New York City in 1972 I think that should put the matter to rest. I've created a disambiguation page for him asbut the main article is still under John Sex, that is how he was known, and that is the name that should be here klaus nomi consistency. We aren't explaining that other people listed in the Career section have birth names and stage names, and we shouldn't do it for John Sex, especially using a stage name he didn't use. It doesn't mention Nomi as being openly gay anywhere in the article, and I only know so much about Klaus. I can't see why how he contracted the disease would be relevant, much less his sexual orientation. Klaus died because he didn't protect himself when he went to have anonymous gay sex. Speedy deletions at commons tend to take longer than they do on Wikipedia, so there is no rush to respond. If you feel the deletion can be contested then please do so has further information. Otherwise consider finding a replacement image before deletion occurs. Don't panic; deletions can take a little longer at Commons than they do on Wikipedia. This gives you an opportunity to contest the deletion although please review Commons guidelines before doing so. The best way to contest this form of deletion is by posting on the image talk page. The Wood Bird is innot Rheingold. Please take a moment to review. If you have any questions, or need the bot to ignore the links, or the page altogether, please visit for additional information. No special action is required regarding these talk page notices, other than using the archive tool instructions below. This message is updated dynamically through the template last update: 15 July 2018. Please take a moment to review. If you have any questions, or need the bot to ignore the links, or the page altogether, please visit for additional information. No special action is required regarding these talk page notices, other than using the archive tool instructions below. This message is updated dynamically through the template last update: 15 July 2018.


Klaus Nomi – Klaus Nomi (Full Album, 1981)
Toward the end of his career, Klaus delved deeper into his operatic side, even switching up his attire to appear more theatrical. Every song included dramatic multiples shift in octave, where Klaus would rise to extreme highs and lows, handling both effortlessly. The real Nomi, it appears, was nothing special, outside of the fact that he could sing it was his misfortune that there wasn't much market for German tenors who could stretch to a falsetto soprano ; the fake Klaus, invented by Klaus as a replacement for the one the world didn't much care for, was a man with a painted face who dressed like a gay Ming the Merciless and sang opera-tinged pop songs in New Wave clubs. It's not the place where you're going to mention every single aspect of one's life. As for Bowie, he had a new muse, but the adoration would come from afar. Born in the German state of Bavaria in 1944, Klaus Nomi emigrated to New York City at the age of 28, doing bits of off-Broadway theater work and moonlighting as a pastry chef. He was deeply rooted in opera, having previously worked as an usher at the Deutsche Oper opera company in Germany, along with occasionally belting arias at Berlin's landmark gay club Kleist-Casino. His body was covered in lesions, so he would don a baroque-style collar to mask the sores on his neck.